Our 10-Must-See LGBT shows at Fringe 2019

Christian McRae
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Our 10-Must-See LGBT shows at Fringe 2019

There are just 97 shows categorising themselves as ‘LGBT’ on the Fringe listings. Yet this is definitely a case of quality over quantity and we had the near impossible task of choosing just 10 shows in our shortlist. Our list includes a bisexual Bridget Jones, transgender performers at a radical dance party, a gay celibate, the gay son of a lesbian mother, some dark gay and queer plays to challenge your perceptions, and some gay ‘ trash-fash‘. Don’t choose which of these to see, simply catch them all!

1/ Algorithms

If the trailer is anything to go by (see our interview below), this looks like being a sure winner of a show!

“Brooke has it all: the job, the flat, the girlfriend… but what happens when things go tits up just before your 30th birthday? A bisexual Bridget Jones for the online generation, this tragicomic one-woman play and its lovably hapless heroine is for anyone who’s wondered why they feel so lonely when connecting with others is meant to be easier than ever. Developed on the Soho Theatre Writer’s Lab and longlisted for the Tony Craze Award 2018. ‘A brave, bold and brilliantly funny show’ (Lisa Walters, Channel 4). www.sadieclark.co.uk @AlgorithmsPlay“.

If you want to find out more, check out our interview with writer/ performer Sadie Clark. Click here

Tickets available now from the Fringe Box Office.

2/ Collapsible

There has been a fantastic buzz about this production this year, and the writing and staging look all set to live up to expectations. Definately one for your ‘must-see’ lists!

“‘I’ll tell you what I really want. I want to jump clean out of my brain.’ Essie’s lost her job. Her girlfriend’s left. But she’s alright. Except lately she feels more like a chair than a person. One of those folding chairs. Solid one minute. And then. From award-winning Irish writer Margaret Perry (Porcelain, Abbey Theatre), Collapsible is a funny, furious new monologue about holding on in this collapsing world. For anyone who has ever felt crumbly. Origins Award for Outstanding New Work, VAULT Festival 2019. ‘The ambition and vision of the best Irish writers’ (Independent, for Porcelain). “

Check out also our interview with Margaret Perry (writer/ performer of Collapsible). Click here.

Tickets available now from the Fringe Box Office.

3/ Dark Play or Stories for Boys

This play sounds eerily like some real crimes of late. The dark world of the web, fake personalities and deceit brought to the stage. This play is now over 15 years old, so in internet terms pretty ancient, yet its themes are acutely topical and relevant today.

“An outsider at age fourteen, Nick discovers the intoxicating pleasures of inventing fake personalities in the chat rooms of the World Wide Web. Adam’s online profile, and the words ‘I want to fall in love’ pique his curiosity. Nick invents Rachel, the girl of Adam’s dreams, and charms the gullible boy into a cyber love affair. As Nick’s creation grows beyond his control, his curiosity becomes obsession.”

Tickets available now from the Fringe Box Office.

4/ For Only an Hour

A dramatic production, described by one London reviewer as ‘rich and strange’, this unusual production might possibly divide audiences, but is sure to be memorable!

“ ‘Sanger is one of the most versatile artists on the British stage, as this performance amply demonstrates’ (Dance Europe, 2018). Danced to a hilarious medley of Angela Lansbury, Delia Smith and Bette Midler this one-man romp is a pseudo-glamorous jaunt through pop culture, queer art, childhood dreams and life-changing surgery. It may be entertaining, but it demands a punishing vulnerability of the performer with surprises at every turn. Supported by haunting music by Donna McKevitt, glittering queer garments by Andrew Walker, mentoring by Wendy Houstoun and a unique improvised lighting design by Jen Wren. “

Tickets available now from the Fringe Box Office.

5/ Fudge

Limerence Productions are no strangers to Fringe, and whilst many productions focus on the ‘sex’ in sexuality, this is a fresh approach and looking at gay celibacy. Comedic possibilities aplenty.

“Charlie’s had enough. He’s giving up sex. No more booty calls. No more walks of shame. No more sleeping with that guy who gave him gonorrhoea… twice. He’s taking a breather. He’s having some me time. He’s learning to love himself. He’s bought some face masks so he’s already halfway there. After two total sell-out Fringes, the internationally award-winning Limerence Productions is back with Fudge: an honest, warm and witty exploration of the difficulties of gay celibacy. ‘You don’t have time to draw breath for laughing’ ***** (UKTW.co.uk). ‘The script is absolutely spot-on’ ***** (TheatreReviews.Design). “

Tickets available now from the Fringe Box Office.

6/ Joseph Parsons: Baggy Point

Joseph has a natural energy and warmth. This engaging comedian has a tale to tell and hopefully many of you will get to hear it.

“Joseph Parsons (as seen on Channel 4) presents his uplifting, sell-out show, Baggy Point. With his lovable and electric energy on stage, Joseph tells the story of discovering his sexuality as he clumsily navigates his way through social gatherings, love and living in a different country. Joseph also looks at how the perceptions of sexuality in smaller towns and homophobia in football affect younger people growing up. “

Tickets available now from the Fringe Box Office.

7/ Son of Dyke

Remember Lord Alfred Paget in TV series ‘Victoria’ or Churchill’s son Randolph in blockbuster film ‘Darkest Hour’? Well, that was Jordan Waller, and his show is all about his own heartwarming story. We are sure he will win over many fans new fans with this show.

“Following a sell-out, five-star run at Vault Festival in London, Son of Dyke is the hilarious true story of a young, cocksure gay man who crumbles after the death of his lesbian mother, which launches him on a journey to find his sperm-donor father. Written and performed by Jordan Waller (ITV’s Victoria, Darkest Hour), it’s an evening of outrageous humour and poignant storytelling that gets to the heart of what it means to be a modern man. ‘Dynamic, delicate, direct and definitely something you should go and see’ ***** (AYoungerTheatre.com). “

Tickets available now from the Fringe Box Office.

8/ Sound Cistem

An interesting concept and has lots of potential to be a Fringe success.

“Two transgender performers say ‘up yours!’ to the gender binary and invite you to their radical dance party! Under disco lights, over pulsing music, a queer celebration takes place. Set in nightclubs, Sound Cistem is an exuberant verbatim show about the cisgender gaze on the transgender body. Featuring recorded interviews from trans and non-binary people, a self-love manifesto is made through riotous, glittering disco. This duo keep moving to reject conformity and shame, despite the current transgender debate. See the beauty in these bodies. **** (Scotsman). **** (List). “

Tickets available now from the Fringe Box Office.

9/ Tom Lenk Is Trash

With hundreds of thousands of instagram followers and a coveted blue tick, Tom is an online powerhouse. And with rave reviews for shows such as ‘Tilda Swinton Answers an Ad on Craigslist’, he is also a Fringe favourite too. Should be on everyone’s Fringe list!

“In 2016, SAG Award-winning, middle-aged scene-stealer Tom Lenk (Buffy, Tilda Swinton Answers…, Transparent, HBO’s Room 104) accidentally achieved what millennials and wannabe social media “influencers” desperately crave: Instagram superstardom. Using ‘household junk and sly humor’ (New York Times), his ‘Lenk Lewk for Less’ red carpet parody photos and videos have garnered 500k followers, hundreds of millions of views, and reposts from your fave celebs (Kylie Minogue?!). Now, Lenk combines comedy, trash-fash, hot glue guns and all things half-assed in this hilarious hour of craftertainment. ‘Lenk is brilliant’ (Guardian).

Tickets available now from the Fringe Box Office.

10/ Thief by Liam Rudden

Because not all gay life revolves around glitter, Kylie and unicorns. You should always see one show at Fringe which takes you out of your comfort zone, and this play certainly promises that. Also there are very high expectations of actor Lee Fanning from some of the reviews we have read. Worth a shot!

“Sailor thrives in bars, dives and doss houses. He lives for robbery and expulsion. Join him. This award-winning dark piece of theatre by Liam Rudden will leave you disturbed yet spellbound. Not for the easily offended. “

Tickets available now from the Fringe Box Office.

Note – Our recommendations for the shows listed above is based on preview material only, and is no guarantee of the quality of live performance of the shows.

Our pick of the 10-Must-See French shows at Fringe 2019

Christian McRae
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Our pick of the 10-Must-See French shows at Fringe 2019

Bonne fête nationale a tous! Yes, it’s Bastille Day today so to celebrate le 14 juillet, we have picked out 10 shows from French artists or those with a French theme that we think are worthy of your attention. Vive le Fringe, vive la France!

1/ Right in the Eye – Live Movie-Concert of Georges Méliès’ Films

An interesting mix here of French music, cinematography and sound. “A live trio of French musicians intertwine playful modern compositions and the fantasy of the legendary filmmaker Georges Méliès, father of cinema and the inventor of special effects. French composer Jean-François Alcoléa and his fellow musicians use sound and image to create a universe as inventive as the filmmaker’s creations were. ‘It is at once inventive, elegant and moving’ (Chronique, Festival OFF d’Avignon). ‘Creatively intelligent. All the sounds and music brought Georges Méliès’ films to life’ (Houstonian).”

Tickets available now from the Fringe Box Office.

2/ A Voice

“1971. Paris, France: a young woman faces a choice. Will she use her influence as a pop music sensation to speak out about women’s rights, or keep quiet to save her career? With a classic 60s soundtrack and live singing, this solo musical charts the rise and fall of starlet Angéle. Plucked from obscurity by music impresario Francois, she lets him shape her into a Eurovision-winning idol. But in the aftermath of a doomed love triangle and a career-rocking scandal, she may have an even bigger opportunity to raise her voice for women.“

Tickets available now from the Fringe Box Office.

3/ Worldwidewestern

Another artistic fusion here, this time digital and theatre. And like the first entry to our list, it is being performed at the impressive French Institute Building. As this is in the French Consulate, you will technically be on French soil whilst watching!

“No horse, no band of Apache warriors waiting with knives between their teeth, no pretty French cancan dancer for the hero to shag, no grit, dust or duty for historical accuracy. This cowboy doesn’t care. The Wild West is just a click away on the World Wide Web. Fascinated by cowboys’ squinty-eyed looks, and armed only with the savoir-faire of a modern geek, Raphael Gouisset, Associate Artist at La Manufacture Centre Dramatique National Nancy-Lorraine, stars in this digital western lauded for showing ‘theatre and digital technologies can join forces for the best of live performance’ (L’Est Républicain).“

Tickets available now from the Fringe Box Office.

4/ Ruby in the Rough

A young Parisian rock group here. They have a late night performance so a lively French midnight wake up call if you’ve already had too much vin rouge!

“Ruby in the Rough – original pop/rock music tracks performed by four teenage Parisians. Forget Brexit and embrace your European cousins! Perfect late-night Bistro-style atmosphere at Forest Theatre. Elisa, Emile, Lucas, Victoria.”

Tickets available now from the Fringe Box Office.

5/ The Rime of the Ancient Mariner

“From its start, the Piccolo Teatro Nexonnais has desired to establish theatre plays whose content evokes deeper aspects of the human comedy. The poem The Rime of the Ancient Mariner written by Samuel Taylor Coleridge in the 19th century is an almost cinema-topographic text among English romantic poetry of the time. Naturally, it lends itself to theatre. To this endeavor the Piccolo Teatro Nexonnais have given precedence to the trestle table technique, Theatre du Tréteau, thus giving a lively and incisive evocation of the poem.“

Tickets available now from the Fringe Box Office.

6/ Paris de Nuit

A French list would not be complete without a little taste of Parisian nightlife. Paris de Nuit hopes to bring you that!

“Recirquel returns to the Fringe with Paris de Nuit’s stunning circus artists, dancers and musicians bringing to life the decadent yet lovable Paris of the 1930s, filled with desires and beauty. An evening of lust, love and loneliness, inspired by the voluptuous images of Hungarian photographer Brassaï. The roaring variety life of Parisian nights is revealed in illusionary moments from the lives of prostitutes, peddlers and down-and-outs who lived on the edges of society. Enjoy the intimate closeness of breathtaking circus right above you! Paris de Nuit is the quintessence of an unforgettable night! A Müpa production.”

Tickets available now from the Fringe Box Office.

7/ Tête-à-Tête: Paris-Edinburgh

Celebrate the auld alliance with an exhibition of photographs from both Edinburgh and Paris,

“Tête-à-Tête: Paris-Edinburgh is a collection of original contemporary photographs taken by Ewan Barry and Audrey Pinard. The exhibition features street images as well as architecture and interiors in the two cities – all taken near the Blackfriars Street venue and the 17th and 18th arrondissements in Paris.”

Tickets available now from the Fringe Box Office.

8/ Fishbowl

French Farce meets Friends. This award-winning production has amazing staging and will leave you filled with joie!

“The hilarious misadventures of three eccentric and lovable anti-heroes crammed in their wacky rooftop bedsits. The funniest show in Europe comes to Edinburgh after a sell-out tour. Molière Award for Best Comedy Play. Physical comedy extravaganza! Paper-thin walls barely separate three neighbours who strike up unlikely and moving friendships. The show packs a punch with technical genius, an incredibly realistic set, and tricks and surprises that shock and delight audiences. Fishbowl premieres in the UK, expect Charlie Chaplin and Mr Bean antics. ***** (Le Monde). ‘1001 gags’ ***** (Le Parisien). ‘A comic explosion’ (Télérama). ‘Belly-wrenching laughs’ (Le Figaro).”

Don’t forget to check out our interview with Pierre Guillois who talked to us about the show. Click here.

Tickets available now from the Fringe Box Office.

9/ Le Monocle

Next to pre-war Paris, and a true story of lesbian nightlife and espionage!

“Le Monocle follows the story of Francine as she discovers the eponymous lesbian bar. Her story is interwoven with that of Violette Morris, an acclaimed athlete-turned-Nazi SS agent, and the LGBTQ+ community of 20th-century Paris. A story of compassion and community, Le Monocle is about how we cope with prejudice in the face of cruelty.”

We interviewed writer/ director of Le Monocle Tiff Milner back in April about the show. Click here.

Tickets available now from the Fringe Box Office.

10/ Notre Dame de Paris aka The Hunchback of Notre Dame

NDP circus debated long and hard about whether to continue this show given the recent tragic fire at Notre Dame Cathedral. They did and we have included in the press release below explaining the reasons in more detail.

​”The mayhem of the Court of Miracles, Quasimodo’s torment, screaming gargoyles and the tragedy of Esmeralda’s passionate naivety. With a diverse and multitalented cast drawn from circus, theatre, music, dance and unique costume inspired by its Parisian setting, the company unfold a fantastic retelling of this timeless story that explores issues of universal relevance, exclusion, class and the abuse of power. Staged in a traditional circus ring, the handcrafted 12-metre-high set and rig honour the significance of Notre Dame Cathedral as a pinnacle of medieval Gothic architecture.”

Tickets available now from the Fringe Box Office.

“

“After the initial shock at the tragedy of the fire at Notre Dame Cathedral, my first consideration after seeing that no one was hurt and that the 800 year old cathedral survived was, What does this mean for my show?
I have been visiting Notre Dame and working on a theatrical circus version of Notre Dame de Paris by Victor Hugo,  deciding to create and tour it this year with rehearsals beginning the day after Easter, everything was planned and dates set, with a tour beginning in Brittany and continuing via Devon and Wales to the Edinburgh fringe festival in August.
​
This was to be a show featuring horses and aerial skills ,theatre,dance and acoustic music and featuring a 600 pipe church organ , built using iron,oak and natural materials and lit by fire,flame  and candlelight. The towers were to burn with fire when the truands attack the cathedral as Quasimodo rained down molten lead on the attacking forces, Esmeralda would burn rather than be hanged, fire was everywhere.
So much more than a 19th century romantic Gothic Fantasy, Victor Hugo wove universal themes of abuse of power, racism, intolerance and exclusion  into an epic tale where Notre Dame Cathedral and Ananke or Fate take leading roles, this was my challenge and my justification, this has remained a timeless story because it addresses constants, archetypal human characteristics, innocence, strengths and weaknesses, as valid today as when Victor Hugo wrote it, the same dramas, the same injustices unfold, human greed, lust and avarice play alongside love and compassion.
​
I delved deep into the history of Notre Dame, researching the instigators and builders who created this monument, I questioned their motives, examined the minutiae of carving and detail, marvelled at the drive to build such an awe inspiring structure and the faith and belief that inspired and  drove the masons and master craftsmen. Reading of the Benedictine monks who farmed and contemplated nature in the great monasteries of the 12 century, The symbolism and meaning of everything, God was present in a leaf, a flower ,trees ,the weather , all of nature, The advent of the great Gothic Cathedrals across Europe with their naturalist carvings and sense of light, complementing and paying homage to the beauty of nature,  The dark side of managing the house of God, where religion takes responsibility and monopolizes the conversation with God, ‘Your life on earth is hard and short, but pay your church dues and observe our rites and we will guarantee that at least in the afterlife you will know joy’
 
Searching for Esmeralda, assembling a cast, collecting materials, ongoing social media discussions about costume, music, special FX and the nature of Ananke, Does man have freewill or is all predetermined? What is fate? Do we have choice?
Philosophical discussions unwound late at night on whatsapp or messenger across countries; religion, alchemy, Plato, Virgil, Aristotle through to nature, celtic art and the Gods and Goddesses, Mother Nature and Chaos.
Synchronicity and coincidences everywhere, things happened as they should within the chaos of a healthy environment.
 
Practicalities, trailers, horses, money, vehicles, set, metal, wood, generators, toilets, insurance, tentage, rehearsals, a cook.
My joy at setting off on another circus journey, involving horses ,travelling, collaboration, great people and creativity, mud, sweat and tears ,all life is here.
How on earth can I built something that is even a reflection of Notre Dame Cathedral?
How can I do justice to such a story?
And I dreamed and let myself dream into the life of the story and always visiting Notre Dame Cathedral whenever I could. Dreaming Quasimodo’s torment and Esmeralda’s passionate naivety, Frollo’s twisted brilliance and Phoebus the arrogant peacock, Fleur de Lys’ privileged complacency and Gringoire’s incompetent vulnerability, the horror of the faceless terror of the church and state, and the fickle cruelty of the mob.
 
All this and it was just a story, a story written in 1831, set in 1482 about a Cathedral built in the 12th century that we would recreate and tour in 2019.
A magical tale that we would be proud to show, a collaboration of artists, makers, performers and dreamers brought together to bring our show to the people and take it on the road.
Always swinging between excitement and panic! Passion and fear! How on earth would I manage it?
It was just a story. It will be OK
And then on Monday night I got a phone call;
‘Notre Dame is on Fire’
I struggled to understand, ‘what do you mean?’
‘Notre Dame Cathedral, It’s on fire!’
Everything changed,
looking at the images , watching the spire fall, watching the roof burn, this could not be happening, and then ‘what about the show? Can we still do it? What does this mean?
 
Watching through the night as once again the Cathedral survived, Fate had taken a hand, watching the outpouring of grief and emotion, it meant far more than just a religious building, The fire hit France in the heart.
Watching as huge donations were pledged within hours of the fire, struggling to understand and square this with the just causes that are desperate for funds, publicity and support in this cruel and unfair world. Struggling to equate this with Paris being the homeless capital of Europe and all the ongoing war, injustice and misery that continues to rage across the world.
Watching as a sense of relief took hold that it was still standing, It would be reborn, Easter and rebirth are here, a reincarnation, the wheel turns.
Do we still do the show?
Yes, Fate has cast the die, it has come alive and become real and important in a way I never envisaged, I have no idea how this latest evolution will play out, we will start rehearsals on Tuesday, we will tell the story of Notre Dame de Paris and honour Notre Dame Cathedral, Ananke and Humanity.
​
Paul Liengaard
17/04/19

https://www.ndpcircus.com/the-fire-at-notre-dame?lang=en

Note – Our recommendations for the shows listed above is based on preview material only, and is no guarantee of the quality of live performance of the shows.

And our #WorldFringeDay Competition winner is…

Christian McRae
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And our #WorldFringeDay Competition winner is…

Congratulations to…

WINNER – Fisherman’s Tail

Thank you to everyone who entered our competition to celebrate #WorldFringeDay. The winning entry picked at random from all the entrants on Twitter and Instagram is Fisherman’s Tail. Their ‘prize’ is that we will come along and review* their show during the first week of Fringe.

“Fisherman’s Tail is a hearty, all age, actor-musician musical about four humble fishermen whose everyday lives are blown out of the water when they are caught up in the whirlwind of Jesus’s life and miracles. A new piece of theatre featuring lots of catchy original tunes, this new take on the life and miracles of Jesus will guarantee to put the wind in your sails. Catch it while you can!“

We look forward to seeing you in Edinburgh!

Fisherman’s Tail will be performed daily at 13:00 at Carrubers (Venue 520) August 2nd-3rd, 5th-10th and 12th-17th. Tickets available now from the Fringe Box Office.

*The EFC pay for all shows they review and according to our Review Guidelines as detailed on this site.

Fisherman’s Tail

Meet the 2019 Performers – Katie Guicciardi (Fox)

Christian McRae
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Meet the 2019 Performers – Katie Guicciardi (Fox)

“‘I couldn’t imagine having a child. Not even when I was sat in my Primark bikini in a plastic hot tub at Homerton Hospital, sucking the shit out of the gas and air… There’s a man sitting on the wall outside the flat. He just sat down the other day and never left.” Inspired by true events, Fox is a sharply-observed drama which explores our complex relationship with ‘help’- our desire to give it and our need to seek it for ourselves. Over to writer and performer Katie Guicciardi to tell us more.

1. Can you introduce yourselves and your show (Fox) ? 

Hi, I’m Katie Guicciardi, the writer and performer of Fox. Lisa Cagnacci is the director and it is produced by Becky Barber-Sharp and SFTW.

2. What is the top reason people should see the show? 

It speaks about things that are often kept silent. It’s incredibly honest and sharply observant. I like to think that it will make an audience question their own feelings and behaviours as a result.

3. What does a ‘successful Fringe run’ mean to you? 

Exposure, audiences, a chance for the play to develop and grow, good feedback, opportunity to network with other companies and people enjoying the show.

4. What 3 top tips have you got for Fringe first timers? 

I am a fringe first timer. All tips greatly received!

5. Your show is based on a real-life story. Tell us about it

After the birth of my first child I was living in a small first floor flat in Clapton, London E5.

One day, a man turned up and sat on the wall outside the flat. He stayed there for a month. I sat indoors with the baby and I watched him a lot! The rest is fictional, inspired by experiences of friends, research and a desire to raise awareness of post-natal mental health and question how, as humans, we weigh up our own needs against those of others.

6. Do you know what happened to the homeless man you encountered?

I do not.

7. Your show explores our complex relationship with ‘help’ in an increasingly isolated society. Are people afraid to offer or ask for help? Or is the quality of help the issue?

I think it can be both and the play addresses that. For the mother suffering with postnatal mental health issues, she experiences the shame of asking for help, the feeling of failure associated with it, the comparison to others and the fear of having her child taken away. However, when she does ask for help, she isn’t taken seriously or is ignored or judged and she feels that there is not a strong enough support system in place to help her. Similarly with the homeless man. There are parallels between these two ‘silent issues’, both equally as in need. There is also the question of responsibility as to how we choose who we help and why.


8. Through the internet, it could be argued that the quantity of ‘help’ available has never been so extensive. But is this growth of ‘digital (online) help, adding to the sense of isolation of vulnerable people?

It certainly can yes. I think the internet, social media and all it offers can be a wonderful resource and way of connecting with others but equally it can encourage unhealthy comparisons, promote false realities and make people feel that they are somehow not enough. This is something that I feel can really effect new mothers who may already be feeling vulnerable, lost or lonely.

9. How are you promoting your show in the run up to the Fringe?

Interviews, podcasts, two upcoming London previews: Monday 22nd July, 7pm at The Drayton Arms Theatre and Friday 26th July, 8.45pm at Theatre 503.  Plus follow us on social media:

Twitter: @FoxPlayUK 

Instagram: @foxplayuk

10. Lastly do you want to tell us where and when we can see the show?

Yes! From 31st July – 26th August (no show 13th August) at Baby Grand, Pleasance Courtyard, 11.30am. 

Fox will be performed daily at 11:30 at the Pleasance Courtyard (Baby Grand/ Venue 33) from July 31st to August 12th, and from August 14th-26th. Tickets available now from the Fringe Box Office.

Our Pick of the 10-Must-See Political Shows at the Fringe 2019

Christian McRae
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Our Pick of the 10-Must-See Political Shows at the Fringe 2019

In our pick of the 10-Must-See shows with a political theme we think we have done the impossible…we have created a list without a single mention of the word ‘Brexit’ in it. With 40 shows with ‘Brexit’ in their title, this was a challenge, but we think that you will all agree we need a wee break from Annus Brexitus! And we hope you will all equally agree that there is a stellar line up this year at Fringe of politicians, political commentators, and Titania McGrath!

1/ Iain Dale: All Talk

Our list is alphabetical, but nethertheless with the variety and quality of guests, this show deserves top slot. From party leaders to ex ministers, from London mayor Sadiq Khan to Christopher Biggens, this ex Conservative parliamentary candidate and radio host has something for everyone in his guest list.

“Award-winning LBC radio presenter, CNN political commentator and For the Many podcast host brings his acclaimed, incisive insight on current affairs to the Fringe for the first time. Iain interviews a different high-profile guest each day, including Heidi Allen, Christiane Amanpour, Jane Garvey, Fi Glover, Alan Johnson, Johnny Mercer, Jess Phillips, Jacqui Smith, Kirsty Wark and Sayeeda Warsi. Visit www.iaindalealltalk.com for latest guest schedule.”

Tickets available now from the Fringe Box Office.

2/ Speaking Out: A Conversation with John Bercow

Order, order! The current speaker of the House in Westminster gives his views on current politics.

“Speaking Out: A Conversation with John Bercow. After a decade in his post, John Bercow sets out his views on his role in Parliament and what he has witnessed in a turbulent decade in British political life (not least Brexit).“

Tickets available now from the Fringe Box Office.

3/ In Conversation with… John McDonnell

Jeremy Corbyn’s right-hand man talks all things Labour.

“Shadow Chancellor since 2015 and MP for Hayes and Harlington since 1997, McDonnell has campaigned against the Iraq war and argued for curbs in bankers bonuses, decent pensions, free elderly care, a fair taxation system, defending the NHS and extending public ownership. He is a committed environmentalist, trade unionist and anti-nuclear campaigner. Alongside Jeremy Corbyn, McDonnell has been a key figure in setting out a new direction for the Labour party, pledging to increase spending on infrastructure and research, describing his vision for the economy as socialism with an iPad.”

Tickets available now from the Fringe Box Office.

4/ In Conversation with… Len McCluskey

Controversial General Secretary of Unite the Union Len McCluskey comes to Edinburgh for one day only to talk unionism and socialism.

“Britain’s most influential trade union leader talks about the industrial and political challenges of leading over 1.2m members as General Secretary of UNITE the union; a campaigning 21st-century organisation fighting for justice and fairness in the workplace. His early working life in the militant Liverpool docks forged his political views and prepared for a lifetime of struggle. And a lifetime of supporting Liverpool FC.”

Tickets available now from the Fringe Box Office.

5/ In Conversation with… Michael Stewart

Michael Stewart took the unusual career route from professional footballer to political activist, campaigning passionately for the SNP and Scottish Independence. And contrary to his Wikipedia Page which shows his height as 43cm, we can confirm he is of podium height and will hopefully give a lively talk on all things soccer and SNP!

“A TV and newspaper pundit whose views on Scottish football and politics have roused vast armies of both admirers and detractors. A former footballer, Stewart spent seven years at Manchester United under Sir Alex Ferguson, before going on to play for both Hearts and Hibs. His most recent career as a BBC football pundit has given him a fresh profile as a sharp and articulate opinion-maker. Stewart is politically active and is a member of the SNP. He is an avowed believer in independence for Scotland and will hardly let up on the subject.”

Tickets available now from the Fringe Box Office.

6/ In Conversation with… Nicola Sturgeon

Scotland’s First Minister and leader of the SNP is likely to be a sell-out so book your tickets early!

“Scotland’s First Minister chats to Graham Spiers about Scotland, politics, gender balance, favourite books and (maybe) eighties pop music. First elected to the Scottish Parliament in 1999, currently MSP for the Glasgow Southside constituency. Elected SNP Leader in 2014 and has served as Scotland’s first female First Minister since November 2014. Born in Irvine in 1970, a qualified solicitor and University of Glasgow graduate. Described by BBC Radio 4 as the ‘most powerful and influential woman in the UK’, she was ranked 50th most powerful in the World by Forbes magazine.”

Tickets available now from the Fringe Box Office.

7/ Patrick Harvie

Patrick Harvie was a key supporter of Scottish Independence in the 2014 Referendum and remains so. As Co-leader of the Scottish Green Party he has led the debate in Scotland on issues such as climate change and LGBT rights.

“Co-leader of the Scottish Green Party and MSP for the Glasgow area since 2003. Over the past 15 years he has become one of Scotland’s most notable voices on the subject of climate change and the environment, winning over many converts to the Scottish Greens with his passionate views about the fate of the planet. His other specialist areas include civil liberties, energy, food, IT, fair work and equalities. A graduate of Manchester Metropolitan University, he worked in the areas of gay men’s sexual health, principally in HIV prevention and equality campaigning, before entering politics.“

Tickets available now from the Fringe Box Office.

8/ In Conversation with… Ruth Davidson

There may be trouble ahead for Ruth Davidson as leader of the Scottish Conservatives and as a non-supporter of Boris Johnson. Will her fate be that of Kezia Dugdale and of a Celebrity Jungle stint? By the time of her talk in August, we might know the answer!

“Elected Leader of the Scottish Conservatives in 2011, shortly after becoming a Member of the Scottish Parliament, Davidson returns from maternity leave (having given birth to Finn) to talk to Graham Spiers about Tory revivals, her new baby, religion, babies, journalism, child care and her political ambitions. Shes firmly on the socially liberal centrist wing of a party she led to second place in the 2016 Scottish elections. Born in 1978 in Edinburgh, graduated in English literature from University of Edinburgh, worked as a BBC journalist 2002-2009. Sunday school teacher, served in the Territorial Army. “

Tickets available now from the Fringe Box Office.

9/ Sarah Southern: Tentatively Tory

Politics is moving so fast these days that the answer to the question might be a ‘definately not’ by the time Sarah has even booked her train tickets to Edinburgh. Whatever the answer, the signs are it might be an interesting tale as to the journey she has been on to become a (non?) Tory in 2019.

“Sarah Southern worked for the Conservative Party for many years and helped get them elected in 2010. But nine years on, is she still true blue? This is a tale of elections, campaigning, Prime Ministers, Linda at the Job Centre, negative equity, referendums and why David Cameron keeps appearing in her dreams. In a time of political turmoil, Sarah questions her political identity and whether she really is still a Tory in 2019.”

Tickets available now from the Fringe Box Office.

10/ Titania McGrath: Mxnifesto

Radical woke intersectionalist comes to Edinburgh! Sell-out guaranteed! (Note – our use of the word sell-out does not imply our support of the capitalist patriarchy and we would advise all audience members to educate themselves on mansplaining before taking their seats at the theatre…and to travel to the event by biodegradable unicycle.)

“Titania McGrath is a radical intersectionalist poet committed to feminism, social justice and armed peaceful protest. As a millennial icon on the forefront of online activism, Titania is uniquely placed to explain to you why you are wrong about everything and how to become truly woke. ‘The latest genius twist in Britain’s long tradition of satirical spoof’ (Daily Express). ‘Outrageous and hilarious’ (Irish Independent). ‘Brilliant’ (Daniel Sloss). ‘Titania McGrath is a genius’ (Spectator). ‘Hilarious… perfectly captures the joyless tone of the woke Stasi’ (Times). ‘Lampooning the language of social justice is a cheap shot’ (Observer)..”

Tickets available now from the Fringe Box Office.

Note – Our recommendations for the shows listed above is based on preview material only, and is no guarantee of the quality of live performance of the shows.

Our Pick of the 10-Must-See Spoken Word Shows at Fringe 2019

Christian McRae
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Our Pick of the 10-Must-See Spoken Word Shows at Fringe 2019

The Spoken Word category of shows contains such diversity and surprise, it is difficult to pick out just 10 shows. Removing the ‘In Conversation with‘ talks which we will deal with in separate lists, we are left with a wonderful mix of storytelling, rap, poetry, monologues, debate and prose. Selecting just 10 from this sublime category is difficult, but the following shows piqued our interest for their content, production and thought-provoking subject-matter.

1/ Broken English

Where better to start a list on Spoken Word shows than a play about the English language itself?

“A contemporary exploration on the journey of the English language. Interactive spoken word, monologues and creative conversations present a story that celebrates creativity and cultural diversity through the various uses of language. Take a trip through history visiting London, Africa and Europe, whilst Shakespeare, Equaino and the rest cultivate original and organic language and literature.”

Tickets available now from the Fringe Box Office.

PoetryHouse

2/ Can Google Really Translate?

An interesting question. We just tried the first question below, “What does it mean to be a human in the era of Google Translate?‘ into Google Translate from English to Gaelic and the answer was ‘Dè tha e a ’mar sin a-mach beag nad neach a gleusadh Google Translate?’ Translated back into English through Google Translate from Gaelic this came back as ‘What does it mean a little person to modify Google Translate?’ So in the answer to the second question, ” Is it really taking over human translation?“, probably not just yet! (Well, at least for Gaelic!) But we do not wish to be glib here – this is a serious question and has much wider questions than just translation. In answer to the last question, “Can you tell the difference between a text from a human and one written by a machine?“, maybe another question could be ‘how long before we see a Fringe show written by a machine, and would we be able to tell?’

“What does it mean to be a human in the era of Google Translate? Is it really taking over human translation? What if it isn’t just words after all? Can machines replicate human feelings and language nuances? Paola Ruffo (Heriot-Watt University) explores how the boundaries between humans, words and machines are being redrawn. Join her at the edges of the magic world of translation to discover what happens when humans and machines meet new languages. Can you tell the difference between a text from a human and one written by a machine?”

Tickets available now from the Fringe Box Office.

3/ Can you See Where I’m Coming From?

Fringe diversity is a constant theme, and rightly so. We often hear that there is not enough working class representation at Fringe, but what does that mean, and are those purporting to be working class truly representative of that class, or a projection of what we expect that representation to be? This show might provide some answers.

“Award-winning spoken word artist Melanie Branton performs poetry and songs about her roots and plays the recorder (the ultimate punk instrument) badly. But is she working class or middle class? Is nationality determined by ancestry, birth or choice? And what does identity mean, anyway? Aren’t we all fictional characters in a story we’ve made up to feel better about ourselves? “

Tickets available now from the Fringe Box Office.

Melanie Branton

4/ Creative People Need data

This show sounds like a TED talk, and in theory that is no bad thing. Data and automation is everywhere, and there seems to be no reason why the creative arts should not be equally disrupted by the new Data Age. Yet there are likely to be opportunities in this new era of data too, and Nicola’s talk might give us some insights into where those opportunities can be found.

“Nicola Osborne (#CreativeInformatics, University of Edinburgh) reckons that data-driven technologies are inspiring new and unexpected opportunities for creative people and organisations to think about what they do, how they do it and how they make a living from doing what they love. Data will shape media, performance, crafts, whole new cultural experiences and forms of value. Do you agree? Do you know what data-driven technologies are? Is this all promising too much? Bring wild ideas, questions or your (data-driven) heckles! ‘A wonderfully witty and engaging speaker’ **** (BroadwayBaby.com). “

Tickets available now from the Fringe Box Office.

5/ Mariner’s Song

A couple of rave reviews last year, this mystical journey is shouting out like a siren call for those yet to see it.

“Calling all adventurers! Following their critical success at last year’s Fringe (selected as EdFringeReview.com’s Editors’ Pick), KinkyFish return to Edinburgh with The Mariner’s Song, and once again invite you to join writer-performer Rajan Sharma as he navigates classical mythology, family history, and his own experience crewing on a deep sea challenge. In this intimate spoken word performance contemplating humanity’s primal connection to oceans, rivers and seas, prepare to brave the elements, sail stormy waters, and embark upon a lyrical voyage through the ages… Will you answer the Mariner’s call? ‘Wonderful storytelling’ **** (EdFringeReview.com). ‘Beautiful and hypnotic’ (ThreeWeeks). “

Tickets available now from the Fringe Box Office.

6/ Nan Shepherd

Nan Shepherd – a writer of Scots, who wrote three stand-alone novels set in small, fictional communities in North Scotland. Find out more about the poet featured on the RBS £5 note!

“A sideways look at Scotland’s international literary phenomenon, featuring Jefferson Airplane, a Subaru Impreza, and personal appearances by Fats Waller, Jean-Jacques Rousseau, Prof Walter Benjamin, General Erich Ludendorff, and The Third Man. “A sideways look at Scotland’s international literary phenomenon, featuring Jefferson Airplane, a Subaru Impreza, and personal appearances by Fats Waller, Jean-Jacques Rousseau, Prof Walter Benjamin, General Erich Ludendorff, and The Third Man.

Tickets available now from theFringe Box Office.

7/ Playground

An interesting concept and a universal theme. This poetry show should appeal to all.

“First commissioned for the Verve Poetry Festival, Playground is a full-length poetry and spoken word show that captures the sounds and experiences of growing up alongside friends and strangers. Featuring performers who went to school in four different countries, Playground highlights not just how universal some of those experiences are but also how adult life features its own kind of playground dynamics: camaraderie, isolation, reprieve and much, much more. The Second City Poets are award-winning writers and performers who first met at the University of Birmingham. In 2018 and ’19 their members won the national competition, UniSlam.“

Tickets available now from the Fringe Box Office

8/ Rob Bell: An Introduction to Joy

Rob Bell is an influential man. So much so that Time Magazine named him one of the 100 Most Influential People in the World in 2011. He will be at Fringe for just three days at The Stand’s New Town Theatre from August 17th-19th. Whether you are religious or not, he has an interesting story to tell, and as the host of the number 1 spirituality podcast globally, you can be sure he will tell that story well!

“Former pastor Rob Bell is the New York Times bestselling author of Love Wins, What We Talk About When We Talk About God, The Zimzum of Love, How To Be Here and What is the Bible?. His podcast, RobCast, is the number one spirituality podcast. He’s been profiled in the New Yorker, toured with Oprah, and Time Magazine named him one of the 100 Most Influential People in the World. He has a regular show at Largo, the legendary LA club, and now brings his brilliant new show to the 2019 Fringe.“

Tickets available now from the Fringe Box Office.

9/ Scotland Today

For those wanting to hear about Scotland as it is, not the fairy tale castles, unicorns and Shetland ponies frolicking in heather that some would wish it to be, here is an opportunity to explore the real Caledonia. ‘Loki’ is perhaps Scotland’s foremost hip hop and rapper and his social commentary deserves your attention.

“Scotland Today, in association with Vivienne Clore, is the new live show from bestselling author and critically acclaimed hip-hop artist Darren McGarvey AKA Loki the Scottish rapper. McGarvey’s Fringe debut Poverty Safari Live was the breakout hit of 2018. The Orwell Prize winner returns with a unique blend of spoken word, comedy and music, offering his unique take on the state of the nation.“

Tickets available now from the Fringe Box Office.

10/ Supernatural: Wonder Tales from Scotland

No list of spoken word shows for a Scottish Fringe would be complete without a good ghost story. But its not just ghastly ghouls featuring in Dougie’s show, but a plethora of ‘ferocious Scottish beasties’. No hiding behind the sofa!

“Scotland is a country blessed with abundant natural beauty and mystical landscapes. Equally striking are the many supernatural wonders featured in Scotland’s traditional tales. Dougie Mackay shares stories of strange places full of fantastic creatures and curious characters, where the veil is thin and the people are wise, wild and terrifying. Come bathe in crystal clear waters, shift-shape and face the most ferocious Scottish beasties in a selection of marvellous tales, gathered from tradition and presented fresh for a modern audience. Sell-out show 2018. ‘A hidden gem at the heart of the Fringe’ **** (YoungPerspective.net). “

Tickets available now from the Fringe Box Office.

Note – Our recommendations for the shows listed above is based on preview material only, and is no guarantee of the quality of live performance of the shows.

Meet the 2019 Performers – Kyle Vegter (Manual Cinema’s Frankenstein)

Christian McRae
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Meet the 2019 Performers – Kyle Vegter (Manual Cinema’s Frankenstein)

” I know this is a sound byte that is repeated often with regard to Edinburgh Fringe shows, but I really truly don’t think there’s anything else out there quite like what we do”. And you know what? We totally agree! Manual Cinema’s Frankenstein is a fascinating merging of cinema, sound , music and puppetry evoking 1920s cinema on a 21st century sound stage. Over to Kyle Vegter of Manual Cinema to find out more.

Can you introduce yourself and your show?

My name is Kyle Vegter, I’m a composer/sound designer and one of the five Co-Artistic Directors of Manual Cinema. We’re a multi-disciplinary performance collective, design studio, and film/video production company based in Chicago, Illinois, USA. In most of our work we combine handmade shadow puppetry, cinematic techniques, and innovative sound and music to create immersive visual stories for stage and screen.

This year we’re bringing our adaptation of Frankenstein to the Fringe at Underbelly’s McEwan Hall. The show weaves together the story told in the classic novel and scenes from Mary Shelley’s life surrounding her writing of the novel. All of it is told using a combination of shadow puppetry, live actors in camera, a 3D creature puppet, immersive surround sound design, and a live original score written for an array of percussion instruments, clarinets, flutes, cello, and voice. There are even little robots that bring the stage to life playing percussion instruments when the creature wakes! The effect is of a feature length film, but the whole thing is made live on stage each night.

What is the top reason people should see the show?

I know this is a sound byte that is repeated often with regard to Edinburgh Fringe shows, but I really truly don’t think there’s anything else out there quite like what we do – and Frankenstein is by far our most complex, technically demanding, and genre bending show to date!

What does a ‘successful Fringe run’ mean to you?

The Fringe is such an incredible international platform. There are just so many people from so many different places around the globe there to see what’s new in theater and performance. We think of our work using only the ‘language of cinema’ (far shots, close ups, pans, etc), and we use almost no spoken or written dialogue. So the work doesn’t rely on an audience’s understanding of English to enjoy the show. It’s so interesting to see how audiences from around the world react to our work, especially our take on the iconic Frankenstein story. I think a successful run to us is getting the work in front of as large and as diverse an audience as possible.

What 3 top tips have you got for Edinburgh Fringe first timers?

There’s just SO MUCH to see. In past years I’ve benefited a ton from doing a fair amount of online research in advance. All the various producers and artists are pretty great about creating online content that lets you know what their work is all about. I buy most of my tickets in advance based on online research and reading reviews. Of course, always leave room for impulse. If you get a flier on the street that sounds interesting, go check it out! Tickets at the fringe are very affordable so if you take a chance and end up not liking something you see, you’re only out £10-20

Manual Cinema’s work is highly theatrical, and yet it comes across very different to most plays you will see at the Edinburgh Fringe. How would you describe this piece to someone who’s never experienced one of your shows before?

I usually describe our work as a ‘live film’. When you come to one of our shows there’s a large movie sized screen hanging above the stage. If you just watch that screen it feels like you’re watching an animated film told with a few different animation styles. But if you look just below that screen to the stage, you see the *real time* chaos of making the film (every shot transition and every downbeat of the score) all created by 5 actor/ puppeteers and 4 musicians using 100s of paper puppets, countless costumes and wigs, a 5 octave Marimba, a custom percussion rack of found object instruments, and much much more. Audiences often describe a particularly interesting tension between the clean, cinematic images and sounds presented on the big screen- and the absolute craziness on display that goes into creating them.

What key message do you hope comes across to your audiences?

I think our take on Frankenstein focuses a lot on responsibility, and what happens when one refuses to take responsibility for one’s actions. In rejecting his Creation Victor sews his own fate and ensures his eventual downfall. This is a theme that is definitely present in other adaptations of the novel, but I think it’s especially prescient in 2019. You see it in our struggle with climate change, the #MeToo movement, the #BlackLivesMatter movement- the long-time status quo is being challenged in a big way and large swaths of society are being forced to reconcile their decisions with their (un)intended outcomes. The show also deals with grieving, acceptance, and relationship between parent and child/ creator and creature. 

Your production is multidisciplinary in its storytelling. How do you bring these varied discipline together to form a coherent narrative?

In most of our theatrical work narrative is the absolute driving and unifying force behind the production. We use many different visual and aural techniques in any given show, but all of them have to serve the story we’re trying to tell. For example, in Mary Shelley’s novel Frankenstein the structure of the book is one of nested frames. You begin with a ship’s captain telling the story of a lost traveller he finds in the arctic, and then zoom into the first person story of the lost traveler (Victor Frankenstein) searching for the Creature he created,, and then zoom in even further to the first person story of Creature coming to be. We wanted to find a way to represent those narrative frames in a visual and aural way for our piece. We also added a frame, telling the story of how Mary Shelley set out to write the novel. So in our piece Mary Shelley’s story is told using shadow puppetry and orchestral instruments (flutes, clarinets, cello, etc), Victor’s story is told using actor’s in costume with cinematic camera techniques, robot percussionists, and distorted contrabass clarinet, and the Creature’s story is told using a 3D creature puppet and found object percussion (tuned pieces of metal and flowerpots). All of these various techniques though, are used in the service of telling a powerful and touching story.

Mary Shelley led an eventful though tormented life. Was there anything in particular that you found astounding about her life-story?

You’re spot on, she had an incredibly turbulent life. I think what really floored me was that she wrote one of the most legendary, iconic stories at the age of 18! In the 18 years leading up to her writing the novel she had already experienced more grief than most people experience in a lifetime. Her mother (Mary Wollstonecraft, a famous feminist writer) died giving birth to her, Mary herself had two miscarriages, and her sister Fanny (whom she was close with) committed suicide. All of that by 18, and she still had the courage and artistic prowess to produce a masterpiece that we’re still enraptured with.

How are you promoting your show in the run up to the Fringe?

You can follow us on social media! Facebook: @manualcinema, Instagram: @manual_cinema, Twitter:  @manualcinema

Lastly do you want to tell us where and when we can see the show?

Manual Cinema’s Frankenstein runs at Underbelly July 31 – August 26 at 2:45pm in Bristo Square at McEwan Hall!

Manual Cinema’s Frankenstein will be performed daily at 14:45 at the Underbelly, Bristo Square (McEwan Hall/Venue 302) from July 31st to August 11th, and from August 13th-26th. Tickets available now from the Fringe Box Office.

Meet the 2019 Performers – Amanda Nicastro (I’m Just Kidneying)

Christian McRae
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Meet the 2019 Performers – Amanda Nicastro (I’m Just Kidneying)

A very special interview today with Amanda Nicastro. An award-winning performer, Amanda brings her acclaimed solo show I’m Just Kidneying to Edinburgh for her Fringe debut. This whimsical comedy tells her real life story about becoming a living kidney donor as part of a paired donation that saved two lives — her sister and a diehard Donald Trump supporter. It is a very timely performance – new legislation to introduce an opt-out system of organ and tissue donation for Scotland just passed the Third Stage in Scottish Parliament last month. This means that once Royal Assent is granted, Scotland will join Wales, England and Jersey in moving to an opt out system. “Being a living kidney donor as well as being a registered organ donor gives me the feeling that I’m a part of something larger than myself.”

I’m Just Kidneying will be performed daily at 14:00 from August 1st-13th, and from August 15th-25th at Sweet Novotel (Novotel 3/ Venue 188). Tickets available now at the Fringe Box Office.

If you are visiting Fringe – say ‘hello’ to this Edinburgh legend!

Christian McRae
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If you are visiting Fringe – say ‘hello’ to this Edinburgh legend!

We stopped for a chat yesterday with legendary Edinburgh charity collector Tom Gilzean and took a photo of him posing next to an Oor Wullie statue…of himself!

The Oor Wullie Bucket Trail is Scotland’s first ever national public art trail which is aiming to raise awareness and vital funds for the nation’s children’s hospital charities.

Each of the five host cities – Glasgow, Edinburgh, Dundee, Aberdeen and Inverness – have been marked with sculptures of the historic cartoon figure.

But Edinburgh’s Princes Street features a special one of Tom – who collects cash for charity every day at the age of 99.

Tom served in the Royal Engineers Regiment during World War Two and was deployed to Belgium, North Africa and Germany, among other places.

His war honours include the 1939-45 Star, the Africa Star, the Burma Star, the France and Germany Star, the Defence Medal, and the Victory Medal.

He also has a 30th Armoured Corps medal earned during Operation Market Garden, the 1944 conflict made famous in the movie A Bridge Too Far.

Tom is out collecting in his signature tartan trews seven days a week, come rain or shine. And just last month Tom Gilzean received an MBE for his services to charity after raising more than £1 million.

We stopped by to make a donation Tom yesterday. Find out more about Tom on his Facebook page @Tom Gilzean, or better yet, if you are visiting the Fringe pop down Princes Street and say ‘hello’ to the Edinburgh hero yourself!

Our Pick of the 10-Must-See Children’s shows

Christian McRae
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Our Pick of the 10-Must-See Children’s shows

Going to Fringe with Children can be challenging. For a start, it is one of the most underrepresented categories with just 165 shows out of 4143 listing themselves as ‘Children’s shows’. There are of course shows listing themselves as ‘comedy’ or ‘theatre’ that might be suitable for children but age categories are loosely applied, and taking your 11-year-old child to a stand-up comedy categorised as ‘suitable for age 10+’ might feel like a risk to some. But fear not, here are 10 shows which peaked our interest that are all definitely suitable for your young ones!

1/ Beetlemania: Kafka for Kids

German philosophical tracts about beetles might not seem an obvious choice for children, but the show got rave reviews last year and Beetlemania looks set to repeat that success this year. “Join the Kafkateers for their ‘riotously cheerful’ (Chortle.co.uk) show packed with stories, songs, puppets and laughter for all ages. Follow Karter, Karl, Kat and Kevin the Beetle for ‘an hour of sheer joy’ (Scotsman) for adults and children alike. Or that a show this silly could actually be educational!” No prior knowledge or interest in Kafka needed.

Tickets for the show available now from the Fringe Box Office.

2/ Captain Flinn and the Pirate Dinosaurs: The Magic Cutlass

Children love pirates. Children love dinosaurs. So a combination of the two should be a sure winner with your young ones!

Read our interview with Fiona Porritt, Assistant Creative Producer of Les Petit, to find out more about the show. Click here.

Tickets for the show available now from the Fringe Box Office.

Captain Flinn and the Pirate Dinosaurs

3/ Danny the Champion of the World

Roald Dahl’s ‘Danny the Champion of the World’ is one of the best-loved children’s stories of all time. “Danny lives happily in a gypsy caravan with his father, but his world is turned upside-down when he learns that his father poaches pheasants from the estate of the vicious, greedy Victor Hazell. One night his father doesn’t return from poaching and Danny fears the worst. Danny sets off on a courageous journey to save his father and, with a little help from the village, soon finds himself masterminding the most incredible and exciting plot ever attempted against Victor Hazell.” This adaptation by Seats Back Theatre Company should appeal to children young and old.

Tickets for the show available now from the Fringe Box Office.

4/ The Dark Room (For Kids!)

This show is now a Fringe institution, and a modern cult classic. According to the website of Dark Room creator John Robertson, the ‘Dark Room’ interactive Youtube game has already scored 4 million views, and there has also been over 400 live performances of his show around the world. A one-hit wonder this is not!

Definitely one for older children, you can read our review from last year. Click here… (Darren!).

Tickets for the show available now from the Fringe Box Office

Be very scared…

5/ Feast of Fools

Daniel Serridge

Dan Serridge is a Glasgow-based storyteller, community artist and facilitator who creates vibrant and exciting community projects for all ages and abilities. At number five on our list, Dan is performing a the Scottish Storytelling Centre who have a solid reputation for picking high quality children’s shows to perform at their venue on the Royal Mile. “Ever poured gravy into your hat? Eaten next to a Sultan? Had a dinner party with the devil? Well now’s your chance. The Feast of Fools will make this happen and more in one of the most unusual feeds you’ll ever have. Join storyteller Daniel Serridge at his dinner table of foolishness as he regales you with tales of disgusting banquets, salubrious suppers and measly meals. Prepare to get wined, dined and unrefined. Disclaimer: There will be no food served at this
event and as a consequence you’ll leave starving or never want to eat again.”

Tickets for the show available now from the Fringe Box Office.

6/ I Believe In Unicorns by Michael Morpurgo

With Scotland being famed for its love for and long history of myths and legends, it is no surprise that a fabled creature such as the unicorn is Scotland’s national animal. And you cannot visit Scotland without seeing at least one unicorn! Therefore Michael Morpurgo’s ‘I believe in Unicorns‘ comes into our list at number 6. “Olivier Award-nominated Wizard Presents brings Morpurgo’s treasured story to life, sparking imagination in both young and old. This intimate five-star show is set in a library full of books that hold more than stories within their pages. It is a tale of the power of books, and the bravery of a young boy called Tomas. Tomas hates reading and school, but his world is turned upside down the day he meets the Unicorn Lady… ‘The show is moving and memorable. I didn’t like it, I loved it!’ (Michael Morpurgo).”

Tickets for the show available now from the Fringe Box Office.

I believe in Unicorns

7/ Ned and the Whale

We commented in an earlier article on international representation at the Fringe, that Welsh performers seemed somewhat underrepresented this year. It is fantastic therefore to see Welsh duo ‘Flossy and Boo’ make the list with their play ‘Ned and the Whale‘, an engaging gentle tale for younger children. “The magical tail of Ned and the Whale begins a little like this… With buckles and swash, this story’s awash with a mysterious odour of fish. Though sharp as a pin, Ned’s courage was thin, for his sister was terribly mean. She spouted great lies: ‘A Kingdom of Spies will steal you and harvest your spleen!’ A fishy tail of magic and adventure. Sail away on a quest to help Ned find his courage and discover the truth behind the mysterious Kingdom of Spies. Flossy and Boo bring you their curiously spellbinding brand of storytelling.”

Tickets for the show available now from the Fringe Box Office.

Flossy and Boo

8/ Ogg ‘n’ Ugg ‘n’ Dogg

A tale of how two Yorkshire hunter-gatherers palled up with wolves and saved us from ‘doglessness’. An engaging tale for youngsters with lots of catchy tunes to help the story along, we think this prehistoric Yorkshire adventure will be sure to be hit with modern Scottish kids!

Find out more about the show in our interview with Colin Granger or Theatre Fideri Fidera – click here.

Tickets for the show available now from the Fringe Box Office

Ogg ‘n’ Ugg ‘n’ Dogg

9/ Rubbish Shakespeare: A Midsummer Night’s Dream

The Rubbish Shakespeare Company (RubSC) are a children’s and family-friendly theatre company, with roots in Creative Education. Shakespeare is a perennial Fringe favourite, and in a crowded field of acts, it is difficult to know which one to pick. RubSC are experienced at making Shakespeare accessible for kids and have a decent Fringe track record, bringing Romeo and Juliet to Edinburgh in 2018. Run by a very genuine team too, our Editor remembers these guys out in all-weathers last year promoting their show, but always smiling and up for a chat. “Runaways. Fairies. Goblins. WATER PISTOLS!?! Rubbish Shakespeare are back, with a vibrant reimagining of this impish tale, jam-packed with high-octane slapstick action, mischievous storytelling, and belly laughs for all ages. They’ll make a mess of this Dream, even if it bruises them. “

Tickets for the show available now from the Fringe Box Office.

The cutest marketing team of 2018!

10/ So You Think You Know About Dinosaurs…?! with Dr Ben Garrod

What youngster doesn’t like dinosaurs? The stage show is led by English evolutionary biologist and broadcaster Dr Ben Garrod, who has worked on shows such as ‘Attenborough and the Great Dinosaur’ and ‘Springwatch’. This show promises to be fun and engaging for kids and adults alike.

“The hit stage show starring dinosaur aficionado Dr Ben Garrod. Get ready to go on an exciting prehistoric adventure as Ben explores the biggest, deadliest and weirdest predators that ever roamed the planet. Pitting the knowledge of unwitting adults against their all-knowing kids, Dr Ben presents an interactive, educational and highly entertaining show. So come and test your knowledge against Dr Ben in this hit live interactive show.”

Tickets for the show available now from the Fringe Box Office.

Note – Our recommendations for the shows listed above is based on preview material only, and is no guarantee of the quality of live performance of the shows.

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